Max Kesteloot

Index,ABOUT

About

Max Kesteloot, 1990 (BE) works in the fields of visual arts, photography and architecture within all its aspects. His work develops around the paradox of the apparent absence of a subject in the final image. This gives every detail in his work the status of context. Max is also teaching at LUCA school of arts, Ghent. Where he’s currently instructing Mixed Media – second bachelor interior design.

info@maxkesteloot.be
www.instagram.com/maxkesteloot

UPCOMING

Residency at ‘woning Vanwassenhove – Juliaan Lampens’

January 2019, Curated by museum Dhondt Daenens – Deurle (BE)

SALON BLANC 37

February 2019, groupshow at Salon Blanc, Ostend (BE)

With Simon Laureyns & Yoann Van Parys.

Curated by Els Wuyts.

NEIGHBOURS VOL. 8 'ARTIST COLLECTIONS'

 

February – March 2019, groupshow at RIOT, Ghent (BE)

Groupshow with an insight in personal private collections of Leo Gabin, Jean-Baptiste Bernadet, Xavier Mary, Max Frintrop, Manor Grunewald,…

Curated by Manor Grunewald. 

NEIGHBOURS

SHOWS

Extended call Pt. 3

September 2018, groupshow at Subsidiary Projects, London (UK)

Curated by Nelle Gevers & Billy Fraser.

Image

Ghent Art Book Fair

May 2018, 019 – Ghent (BE)
Screening of film Spot Spots – prologue due to circumstances

Image

Feet First Fair

June 2017, MACAO – Milano (IT)
Screening of film Spot Spots – prologue due to circumstances

Image

The production of space

March 2015, NUCLEO – Ghent (BE)
Group exhibition entry with GAFPA.

Alongside Thierry Mortier, Olivier Goethals, Luanda Casella & Giovanni Barcella, Bert Heytens, Kristof Lemmens & Paul C. Luttik, Thomas De ridder & Bert Joostens. 

Image

Nowhere – Part 1

October 2014, Soloshow in KERK, Ghent (BE)

Image

BOOKS

SPOT SPOTS – Prologue due to circumstances

A photographic essay in search of the most idyllic spot in Europe
concept, text & images by Max Kesteloot
Text Editing by Bart Decroos, Graphic Design: atelier Arthur Haegeman
Printed in an edition of 75

Image

FILMS

SPOT SPOTS – Prologue due to circumstances

Accompanying film with the book
HDR, 4:3, colour, stereo, text, 24’09” (BE)
Camera & text : Max Kesteloot
Editing : Xerxes Heirman

Image

PUBLISHED

YNGSPC, interview

October, 2018

“Max Kesteloot’s work combines a love for photography and the urban environment into a practice in which he is always carefully studying and juxtaposing fragments of images and subject matter together.” -by Kate Mothes, curator. 

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UNDRSTND magazine, interview

August, 2018

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DIVISARE, Cité radieuse

December, 2017

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AFASIARQ, spaces places people

July, 2015

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graphic & web by atelier Arthur Haegeman
All content copyright Max Kesteloot, 2018

Max Kesteloot

Index,ABOUT

Fragment #13

Benidorm (ES), Calpé (ES)
80 x 60 cm Magistra blueback 120 gr., acrylics, wall paste on hard board. 2018

Fragment #21

Milano (IT), Lugano (CH)
80 x 60 cm Magistra blueback 120 gr., acrylics, wall paste on hard board. 2018

Fragment #11

Memphis wheels

Milano (IT), Benidorm (ES)
120 x 90 cm Magistra blueback 120 gr., acrylics, wall paste on hard board. 2018

Extended Call pt.3

September 2018, Groupshow at Subsidiary Projects, London (UK)

Curated by Nelle Gevers & Billy Fraser.

On show: Fragment #16 – Alicante (ES), Benidorm (ES) 

Exhibition view – Juan Manuel, Max Kesteloot, Alexander Glass, Amanda Kyritsopoulou, Goncalo Lamas, Tristan Williams, Rhiannon R Salisbury, Alia Hamaoui & Fenella Brereton. Photo Nat Faulkner.

Fragment #16

Alicante (ES), Benidorm (ES)
50 x 35 cm Magistra blueback 120 gr., acrylics, wall paste on hard board. 2018

SPOT SPOTS – Prologue due to circumstances
SPOT SPOTS – Prologue due to circumstances
SPOT SPOTS – Prologue due to circumstances
SPOT SPOTS – Prologue due to circumstances
Fragment #12

Palmtrees and lightbulbs

Calpé (ES), Benidorm (ES)
120 x 90 cm Magistra blueback 120 gr., acrylics, wall paste on hard board. 2018

Fragment #14

Ghent (BE), Ghent (BE)
150 x 100 cm Magistra blueback 120 gr., acrylics, wall paste on hard board. 2018

Fragment #8

Benidorm (ES), Zelzate (BE)
80 x 60 cm Magistra blueback 120 gr., acrylics, wall paste on hard board. 2018

Screening of film SPOT SPOTS – Prologue due to circumstances

June 2017, MACAO – Milano (IT)

untitled

2016

untitled

2015

Fragment #5

Benidorm (ES)
80 x 60 cm Magistra blueback 120 gr., acrylics, wall paste on hard board. 2018

Fragment #7

Benidorm (ES), Marseille (FR)
80 x 60 cm Magistra blueback 120 gr., acrylics, wall paste on hard board. 2018

untitled

2014

Fragment #6

Plastic bottle, plastic bin

Lugano (CH), Benidorm (ES), Wissant (FR)
150 x 100 cm Magistra blueback 120 gr., acrylics, wall paste on hard board. 2018

untitled

2018

Untitled

2014

Scene at 8’23”

Videostill from SPOT SPOTS – Prologue due to circumstances.

Scene at 17’06”

Videostill from SPOT SPOTS – Prologue due to circumstances.

Scene at 11’08”

Videostill from SPOT SPOTS – Prologue due to circumstances.

Fragment #9

Milano (IT), Marseille (FR)
80 x 60 cm Magistra blueback 120 gr., acrylics, wall paste on hard board. 2018

The production of space

2015, NUCLEO – Ghent (BE)
Group exhibition entry with GAFPA.

Alongside Thierry Mortier, Olivier Goethals, Luanda Casella & Giovanni Barcella, Bert Heytens, Kristof Lemmens & Paul C. Luttik, Thomas De ridder & Bert Joostens. 

The production of space

2015, NUCLEO – Ghent (BE)
Group exhibition entry with GAFPA.

Alongside Thierry Mortier, Olivier Goethals, Luanda Casella & Giovanni Barcella, Bert Heytens, Kristof Lemmens & Paul C. Luttik, Thomas De ridder & Bert Joostens. 

untitled

2015

Nowhere – part 1

October 2014, Soloshow in KERK, Ghent (BE)

Nowhere – Part 1

October 2014, Soloshow in KERK, Ghent (BE)

Fragment #10

Benidorm (ES), Ghent (BE)
80 x 60 cm Magistra blueback 120 gr., acrylics, wall paste on hard board. 2018

Screening of film SPOT SPOTS – Prologue due to circumstances

May 2018, 019 – Ghent (BE)

Fragment #1

Ghent (BE), Wissant (FR)
80 x 60 cm Magistra blueback 120 gr., acrylics, wall paste on hard board. 2018

Fragment #3

Wissant (FR), Benidorm (ES)
80 x 60 cm Magistra blueback 120 gr., acrylics, wall paste on hard board. 2018